Jennifer Mass Scientific Analysis of Fine Art Mailing Address
Briefing Presentations
Skin Deep: the pare as repository This illustrated paper describes an ongoing fine art-based resear... more
This illustrated paper describes an ongoing art-based research projection which investigates the materiality of fat female pare through the medium of textiles. In weight-gain, arguably no other organ is physically altered and visually modified than the skin. Mankind, viscera and basic reside relatively undisturbed equally the mass of the body grows around. As the fatty swells beneath the peel, the torso transmutes towards the discursive fat person. The stretch-marks are the indices to what the peel endeavours, or endeavoured, to contain. With dramatic weight-loss, often post-obit bariatric surgery, peel becomes a phantasm for the trunk it left backside, a stark reminder of the undulating cascading fat borders between self and the world. 'New', socially acceptable torso, resides within the flayed skin of 'old' (fat) socially unacceptable body and thus leading to further surgery to 'normalise' the body.
My practice-led inquiry is inspired past Groven'due south et al recent study of female weight-loss surgery patients who adjusted to the abdominal changes, just, compounded past the social gaze, the excess skin was problematic as the body was coded as 'new' and 'one-time' (Groven, 2012). My reading besides focuses on Benthien's cultural study of the skin, who argues that the female person body is both a container and surface as her body is 'other' to the paradagmatic male and her skin is the concealing veil which is coded with her femaleness (Benthien, 2002). Cartoon on analogies between skin and cloth, both functioning equally surface and darkening, I seek to disembody the stretch-mark and scars past rendering them on the surface of the cloth as embroideries. In improver to this newspaper volition be an exhibition of these cloth works.
keywords: social gaze, skin, fatty, body, beauty, surgery, fine art
Papers
Skin Deep: the peel equally repository This illustrated paper describes an ongoing art-based resear... more
This illustrated paper describes an ongoing art-based enquiry project which investigates the materiality of fatty female person skin through the medium of textiles. In weight-gain, arguably no other organ is physically altered and visually modified than the peel. Flesh, viscera and basic reside relatively undisturbed every bit the mass of the body grows around. As the fat swells below the pare, the torso transmutes towards the discursive fat person. The stretch-marks are the indices to what the skin endeavours, or endeavoured, to comprise. With dramatic weight-loss, often following bariatric surgery, skin becomes a phantasm for the body it left behind, a stark reminder of the undulating cascading fatty borders between self and the world. 'New', socially acceptable trunk, resides within the flayed peel of 'old' (fatty) socially unacceptable body and thus leading to further surgery to 'normalise' the body.
My practice-led enquiry is inspired by Groven's et al recent report of female weight-loss surgery patients who adjusted to the intestinal changes, just, compounded by the social gaze, the excess pare was problematic as the body was coded as 'new' and 'old' (Groven, 2012). My reading also focuses on Benthien's cultural written report of the skin, who argues that the female torso is both a container and surface as her body is 'other' to the paradagmatic male person and her pare is the concealing veil which is coded with her femaleness (Benthien, 2002). Drawing on analogies betwixt skin and cloth, both functioning as surface and darkening, I seek to disembody the stretch-marking and scars by rendering them on the surface of the cloth as embroideries. In add-on to this paper will exist an exhibition of these cloth works.
keywords: social gaze, pare, fat, body, dazzler, surgery, art
Source: https://independent.academia.edu/RebeccaHarris1
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